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Carnegie Hall Citywide, Bang On A Can Long Play Festival, So Percussion & WoCo Fest

April & May Shows

WoCo Fest 2022 AMAZE

Saturday May 28, 3:00PM
LEILA ADU

AMP by Strathmore welcomes WoCo Fest 2022 AMAZE, produced by Boulanger Initiative and co-presented by Strathmore.  Boulanger Initiative advocates and provides opportunities for women composers and all gender marginalized composers through performance, education, and commissions.  WoCo Fest 2022 will take place at AMP by Strathmore and tickets can be purchased for individual sessions or full day pass.
Info: https://www.strathmore.org/what-s-on/what-s-on-at-amp/woco-festival-2022-amaze/#bios

Standard Ticket: https://secure.strathmore.org/19974/19984
Full Festival Pass: https://secure.strathmore.org/19974/19975


Carnegie Hall Citywide: Asphalt Orchestra

Sunday May 22, 12:00pm
LEILA ADU-GILMORE CARNEGIE HALL COMMISSION COMPOSITION PREMIÈRE 

Pulitzer Prize–winning composer Julia Wolfe caps her Carnegie Hall residency with a one-of-a-kind event in Manhattan’s Bryant Park, featuring new-music marching band Asphalt Orchestra, called “part parade spectacle, part halftime show, and part cutting-edge contemporary music concert … coolly brilliant and infectious” by The New York Times. Also featuring guest artists Pan In Motion, the program includes world premieres by first-time Carnegie Hall–commissioned composers Leila Adu, Jeffrey Brooks, and Kendall Williams, further highlighting Wolfe’s longtime reputation as a champion of innovative new works. Catch the beginning of the performance at the side of the park near the New York Public Library, or join the performers along the way as they march toward the main lawn!
Part of: Carnegie Hall Citywide and Julia Wolfe
Info: https://www.carnegiehall.org/Calendar/2022/05/22/Carnegie-Hall-Citywide-Asphalt-Orchestra-1200PM

Free Event

Bryant Park | Stage
Between 40th and 42nd streets and Fifth and Sixth avenues | Manhattan
New York


Bang on a Can‘s LONG PLAY festival

May 1st, 3:00pm
LEILA ADU

LONG PLAY is an explosion of mind-bending music of the moment.

Over the May Day weekend of 2022, LONG PLAY brings 60+ performances at 8 venues over 3 days to Downtown, Brooklyn NYC: Bang on a Can announces the launch of LONG PLAY, a new, three-day destination music festival. Originally scheduled for May of 2020… Featuring dozens of concerts, LONG PLAY also showcases a dense network of pioneering music venues in Brooklyn – with performances at the Brooklyn Academy of Music (BAM), Roulette, Public Records, Littlefield, Mark Morris Dance Center, The Center for Fiction, outdoor events at The Plaza at 300 Ashland, and more. Bang on a Can’s Co-Founders and Artistic Directors Michael Gordon, David Lang, and Julia Wolfe, say of the new festival:

“Right now – this minute – is an amazing time to love music. Musicians and listeners from every corner of the music world are pushing beyond their boundaries, questioning their roots, searching and stretching for the new. There has never been a time when music contained so much innovation and diversity, so much audacity and so much courage. And we want to show you all of it. With the creation of LONG PLAY we are presenting more kinds of musicians, playing more kinds of music, bending more kinds of minds. LONG PLAY expands and enlarges our scope and our reach, and puts more new faces on stages than ever before. It’s a lot of music!”

Fueled by more than three decades of Marathon concerts, the LOUD Weekend festival at MASS MoCA, countless world tours and staged productions, Bang on a Can’s LONG PLAY is a supercharged ride through right now – for musicians and audiences alike.

Tickets: https://www.eventbrite.com/e/long-play-festival-2022-tickets-255193971037

BAM – The Adam
30 Lafayette Avenue, Brooklyn, NY 11217


Sō Percussion’s Brooklyn Bound Jam

Thursday April 14, 8pm (in-person + online)
WITH LEILA ADU, SŌ PERCUSSION, SANDBOX PERCUSSION, BARD PERCUSSION

Our sixth Brooklyn Bound of the season features works by Leila Adu-Gilmore, Andy Akiho, and Kendall Williams, performed by Sō Percussion, Sandbox Percussion, Bard Percussion, and Leila Adu-Gilmore.
This event will be streamed here on FB and on YouTube. You may now attend this event in person!
____________
Read more about the performers here:
Sō Percussion: https://sopercussion.com/events/brooklyn-bound/
Leila Adu-Gilmore:
Website: http://www.leilaadu.com/about/
Sandbox Percussion:
https://sandboxpercussion.com/
Instagram: @sandbox_percussion
Facebook: @sandboxpercussion
YouTube: https://www.youtube.com/user/sandboxpercussion
Bard Percussion: https://sopercussion.com/
Facebook: @bardpercussion
____________
Now in its ninth season, Brooklyn Bound is a popular series of concerts at Sō’s working studio in the Navy Yard section of Brooklyn. When social distance became a necessity, we decided to create a new version and transition to a fully virtual one. Casual and intimate, the concerts feature us and emerging ensembles from our local scene. The groups are encouraged to try out new material, premier new commissions, completely experiment, or just get another performance under their belt.
Brooklyn Bound is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

100% of contributions made during this event will go directly to the New Work Development Program to support commissions by Shodekeh Talifero, Claire Rousay, and Leilehua Lanzilotti!
Tickets: $10 suggested donation https://sopercussion.com/donate/

Online (or In-Person below): Facebook event & YouTube stream

20 Grand Ave,
Brooklyn, NY

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String Quartet at Lincoln Center

The visionary new string quartet, The Overlook Quartet, brings a program of works by 20th and 21st century female composers to Chamber Music NY this fall. The four works by Leila Adu, Eleanor Alberga, Shelley Washington, and Florence Price, journey from the celestial to the terrestrial. Adu’s “If the Stars Align,” incorporates spectralist microtonal harmonies
seamlessly with Baroque viol and Ghanaian highlife music.

Chamber Music NY presents: The Overlook Quartet at Lincoln Center

Saturday, October 23, 8:00pm
Bruno Walter Auditorium at the NYPL for the Performing Arts
Lincoln Center
111 Amsterdam Avenue at West 65th St | NYC
Chamber music ny |No ticket required
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Five Black Composers, Incarcerated Poets, and an Opera

Leila Adu is also one of five Black composers who have written the score for Death by Life, a new opera commissioned and presented by White Snake Projects, with online performances on May 20, 22, and 25. The opera explores the intersection of systemic racism and mass incarceration using texts written by incarcerated writers and their families. Learn more on White Snake’s website

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Leila Adu Contributes to the New York Times

Leila Adu contributed to Zachary Woolfe’s 5 Minutes That Will Make You Love Choral Music in the New York Times

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Mahakala Oratorio Première

Chatterbird presents the virtual world premiere of Mahakala Oratorio, by composer Leila Adu. Join us for this free event as chatterbird presents this one-of-a-kind video project, featuring contributions from interactive media artist Aaron Sherwood, along with the talents of Videographer Lauren Balthrop and Recording Engineer Kevin Edlin.

Mahakala Oratorio will feature 14 chatterbird musicians, led by conductor Joe Lee, along with the vocal talents of Rebekah Alexander and Leila Adu.

Following the world premiere, chatterbird will host a virtual Q&A panel with Adu, chatterbird musicians, and others involved in the recording process. The Q&A will be facilitated by Colleen Phelps, the Host of “Classically Speaking” on Nashville Public Radio.

Mahakala Oratorio’s inspiration draws directly from the Buddhist deity of the same name. Leila Adu adapted Plainsong Pujua of Mahakala, originally compiled by Lama Chimé Shore from ancient texts from the late Ven. Namgyal Rinpoche and the late Ven. Kalu Rinpoche, describing Mahakala as a tool to empower listeners to consider the idea of radical compassion in this era of social, political, and environmental extremism.There are abusive states, new in the world. Look now all around! There are abusive states careless of all life, immersed in selfish wants. Burn the fog of apathy, burn the fog of apathy, burn the fog of apathy!” The music itself reflects Leila’s genre-mixing style, which draws on the traditional music of New Zealand; her informal training in punk, indie, and hip-hop as well as freely improvised music in the African-American free jazz tradition; and formal training for chamber ensemble and orchestra.

This project is supported in part by New Music USA, Tennessee Arts Commission, Metro Arts, Puffin Foundation West, LTD., and MediaTHE Foundation.

To find out more about Chatterbird or experience Mahakala Oratorio post-première:
http://www.chatterbird.org

Mahakala Oratorio Première & post-concert Q&A

  • To find out more about Chatterbird or experience Mahakala Oratorio post-première: http://www.chatterbird.org
  • Following the world premiere, chatterbird will host a virtual Q&A panel with Adu, chatterbird musicians, and others involved in the recording process. The Q&A will be facilitated by Colleen Phelps, the Host of “Classically Speaking” on Nashville Public Radio. Register HERE for the post-concert Q&A: https://bit.ly/3a3velH

Thursday, December 17: 7PM CST / 8PMEST (Fri Dec 18: Wellington NZ 2-2.30PM/Perth Aus 9-9.30am)
Watch Mahakala Oratorio Première

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Yet Unheard – A Collaboration With The London Sinfonietta

On Wednesday, October 28, 2020, Leila Adu-Gilmore’s Freedom Suite will be broadcast on BBC Radio 3 as part of the beginning of The London Sinfonietta’s new season.

The London Sinfonietta begins its Southbank Centre season with a concert of music by established and emerging black composers, co-curated by leading composer and new music thinker George Lewis and experimental vocalist, movement artist and composer Elaine Mitchener.

Partly inspired by the seismic changes in society over the summer, this varied and powerful programme addresses a range of under-represented points of view: Hannah Kendall’s unsettling Verdala explores the experience of the British West Indian Regiment in the First World War in her typically uncompromising and richly textured style, while Courtney Bryan’s intensely rhythmic Sanctum explores the sound of improvisation in Holiness-preaching traditions. The exciting music of Cuban composer Tania León begins the programme, while George Lewis’ energetic Assemblage provides a taste of what’s to come in his upcoming commission for the London Sinfonietta.

This concert is part of London Sinfonietta’s 2020/21 season curated as a response to the times in which we live. Broadcast live on BBC Radio 3 on Wednesday 28 October, or watch the streamed video recording from Wednesday 25 November, the event brings new music not heard in the UK before to new audiences.

Jason Yarde Rude Awakening (arr. Yong) 6’
Leila Adu-Gilmore Freedom Suite I and II 10’
Hannah Kendall Verdala 6’
Tania León Indígena 9’
George Lewis Assemblage 15’
Courtney Bryan Sanctum (arr. Bryan) 12’

Elaine Mitchener vocalist
Vimbayi Kaziboni conductor
London Sinfonietta

Useful Chamber performs “Negative Space” from Freedom Suite

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Roulette 2020 – 2021 Commissioned Artist

Leila Adu has been selected alongside eleven other artists to create and present new works this coming season at Brooklyn’s Roulette.

Roulette remains an essential and centralized place for artists to realize their creative visions, even in times of great uncertainty and as such, they began to work with artists in early March to build a safe, exciting, and unique body of new work. Pianist, singer, composer, and improviser Sonya Belaya, trumpeter Jonathan Finlayson, composer and drummer Tomas Fujiwara, artist and interdisciplinary designer Crystal Penalosa, and jazz performer and vibraphonist Joel Ross have been selected for year-long residencies. Commissioned artists include song-writer and vocalist Leila Adu; vocalist Ganavya Doraiswamy; alto saxophonist and composer Darius Jones; multidisciplinary performer and sound artist Luisa Muhr; sound artist and composer Teerapat Parnmongkol; interdisciplinary artist, composer, and pianist Mary Prescott; and composer and saxophonist Immanuel Wilkins.

Each artist will present at Roulette in 2020–2021. The performances will be broadcast live from our theater, with the possibility of a limited in-person audience depending on what safety and public health guidelines allow.

Read more about this event here.

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Billboard Classical Charts

Leila Adu-Gilmore’s composition For Edna, featured on cellist Amanda Gookin’s new release, Forward Music Project 1.0, debuted at #6 on Billboard’s Traditional Classical Chart. The release features multimedia works for solo cello that elevate stories of feminine empowerment, commissioned by Gookin, who writes: “For mothers. For sisterhood. For brave storytellers and quiet listeners. I sing, I gasp, I fight, I breathe life into the work of these fearless artists. I founded Forward Music Project for you. And you are not alone.”

In For Edna, Adu-Gilmore sought to encapsulate the strength of women. “At first, I was going to write something physically and aurally demanding – hard. I then realized that our strength is perseverance and endurance, adaptability and openness, and connection to others.”

For more information and to purchase the album, visit the Bright Shiny Things website